More
than 60 people filled the ARCE Grand Salon on January 9,
to hear a presentation on History as Identity: A Critique
of Modern Islamic Architecture given by Dr. Nasser Rabbat, ARCE
fellow and Agha Khan Professor of Islamic Architecture at the
Massachusetts Institute of Technology. In addition to working
on several books during his fellowship, Dr. Rabbat serves as
the Scholar-in-Residence, a position made possible for a senior
scholar through CAORC funding.
Dr. Rabbat provided a myriad of examples during his lecture
illustrating
that architecture in the Islamic World has gone through a
series of ontological phases in the last two centuries. He
explained
how colonial rule during the nineteenth century brought European-trained
architects and scholars who developed eclectic styles that
borrowed freely from the diverse architectural repertoires
of the past
and blended them with various European forms. Continuing,
Dr. Rabbat demonstrated that independence in the middle of
the
twentieth century gave rise to the more outspoken categories
of modernity
and nationalism as framers of architecture in the recently
constituted states. The new framework engendered some important
modernist
projects but also occasioned the revival of vernacular architecture.
The last three decades, he noted, have witnessed the resurgence
of the discourse on Islam as cultural identity. Many architects
responded by engaging in the design of various historicist
styles, all dubbed "Islamic," which range from romantic mélanges
to grand postmodern projects.
Rabbat argued that neither Islamist nor nationalist architects
actually eluded the Orientalist conceptual substratum of
Islamic architecture. The Orientalists constructed a narrative
that
ran parallel to the Western architectural tradition but almost
never
intersected with it until it dissolved in it with the onset
of modernity. He contended that nationalists and Islamists
absorbed
that paradigm of cultural autonomy, but chose to emphasize
different historical segments. The nationalists stressed
the time when
a putative Islamic state was dominant, and postulated some
latent continuity between it and their modern nation. The
Islamists focused on a Golden Islamic Age as the fountainhead
from which
their architecture emerged, and jumped right to the present
where
they hoped to rebuild that remembered utopia, leaving behind
all that they considered decadent. The result, Rabbat concluded,
was that both conceived "their" architecture from
an exclusionary perspective, which they unwittingly inherited
from
their Orientalist predecessors.
A lively discussion ensued during the final 20 minutes of
Dr. Rabbat’s presentation as he opened the floor to questions.
Scholars and students from various institutions in Cairo posed
interesting and thought provoking questions and entered into
dialogue with the ARCE fellow and scholar-in-residence.
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